"Something Real (?)" (Solo Display)

Artists: Leung, Hiu Ling
Date: 1 - 19 June, 2020
Venue: New Asia College Ch'ien Mu Library
Statement:

To a relationship living in my dreams and reality,

The uncertainty of reality, the gaps and errors of memory, the power of dreams, and my hope to escape, push me to think about what is real. Evidence, memories in people, or what we can feel? In the days we do not know what is real, what can we believe in, what can stay?

Leung Hiu Ling was born in Hong Kong and studies Fine Arts in CUHK. She is interested in dreams and reality, fantasy and psychology, they always appeared in her art. She observes the world in a detached way, looking while keeping distance, because she thinks the distance between people, the world and herself, is the way to understand herself and others. Recording dreams is her habit to observe her own inner status in this reality as well as to escape and find another reality. Her works try to describe her own reality.

《這次抓住你了》 (個展)

作者：梁曉聆
日期：2020年6月1日至19日
地點：新亞書院錢穆圖書館
簡介：

獻給一段（夢）裡的關係。

現實的不確定性，記憶的斷層出錯，夢的清晰與貼身，我的逃避心理。
使我思考真實是甚麼，有證據的，有人記得的，還是感受到的。在不知甚麼是真實的生活/時代中，甚麼能夠確信，甚麼能夠抓住。

梁曉聆，生於香港，現於香港中文大學就讀。她的作品顯示出她對於夢與現實、狂想與心理的興趣。她的觀看角度總是帶距離感的，因為她的現實由幻想、電影、夢和記憶空隙組成，物理世界的生活與她的內在總有一種無法填滿的距離和空隙。記錄夢境是她觀看自己內在和逃離現實的方法；而她的作品嘗試描繪她的「現實」。

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More photos are available in New Asia College Library Exhibitions LibGuides.

讀者可於新亞書院圖書館展覽網頁瀏覽更多圖片。

"Harsh Heat" and "As Tantalus Quenches His Thirst" (Duo Solo Display)

Artists: Lo Wing Tao and Tam Man Ching
Date: 20 - 24 January, 2020 and 18 - 29 May, 2020
Venue: New Asia College Ch'ien Mu Library
Statement:

"Harsh Heat" — I have learnt at a young age that Water Ghosts are the most ferocious. If I were to become a ghost amidst the vast Summer sea, I would probably, in days reeking of sweat, slam heads against walls with brute force, sing hymns in Japanese at the top of lungs, sanitize wounds with brute force, murmur prayers in Spanish at the top of lungs, hold “good morning” towels tight within palms with brute force, and while petting doggies with tears running down boiling cheeks, make a scene.

Lo Wing Tao (b. 1998, Hong Kong), eldest son in the family, takes interest in freestyle cooking and freestyle embroidery, and wishes to have a dog. Lo currently majors in Fine Arts in the Chinese University of Hong Kong, graduating in 2020 hopefully. Shifting among installation, western painting and poetry, Lo presents through his creative practices amplifications of vagueness and the theatrics of instinctual sentiments in a very careful manner.

"As Tantalus Quenches His Thirst" — In the Greek mythology, Tantalus enraged the gods and was punished by Zeus. He was made to stand in a deep pool of water but whenever he was thirsty and bend to drink, the water was drained. Trees dangled fruits above his head, yet whenever he tried to grasp them in his hands, the wind would toss them up towards the clouds, making him bear eternal hunger and thirst. A huge stone was also hung above him, putting him in fear forever. Maybe we could teach Tantalus Cao-cao's way. When his men were parched, he told them there were tons of plums in front of them. The soldiers drooled and hurried on straight away. Cao uplifted his whole army with simply a sentence, perhaps it could be helpful to Tantalus as well?

Tam Man Ching was born in Hong Kong in 1998. She is deeply interested in dogs, space, extraterrestrials and archaeology. Tam is currently an undergraduate student of Fine Arts at the Chinese University of Hong Kong and will probably graduate in 2020. Her creative practices mainly involve mixed media and installations, examining and exploring the relationship among constructs and people with everyday objects.

《猛暑》及《深水之中止渴思梅》 (雙個展)

作者：盧永滔及譚敏晴
日期：2020年1月20日至24日及2020年5月18日至29日
地點：新亞書院錢穆圖書館
簡介：

《猛暑》 — 從小就聽說水鬼最猛。若要化身暑熱海水裏的一隻鬼，大概會在汗流滿面的日子裏，大大力把頭撞向牆、大大聲用日文唱聖詩、大大力消毒傷口、大大聲用西班牙文呢喃禱文、大大力捏緊祝君安好毛巾，淚流滿面地摸著狗狗，大鬧一場。

盧永滔（一九九八年生於香港），家中長子，興趣是隨意烹調和隨意刺繡，希望養狗。現就讀香港中文大學，主修藝術，盼能於二零二零年畢業。創作徘徊於裝置、西畫與詩之間，盧小心翼翼地呈現放大的模糊與本能情緒的浮誇。

《深水之中止渴思梅》 — 希臘神話中的坦達羅斯是宙斯之子，他觸怒了諸神，被宙斯打進冥界。他被罰站在深的水池裡，當他口渴想喝水時，水就退去；他的頭上有果樹，肚子餓想吃果子時，樹枝即被吹往上，永遠忍受饑渴的折磨；還說他頭上懸著一塊巨石，隨時可以落下來把他砸死，因此永遠處在恐懼之中。或許我們可以教他曹操的做法啊。士兵們口渴到快支撐不住就跟他們說前方有很多梅子，他們聽到都口水直流，趕快上路。一句話支撐起了整隊軍人，那麼也應該能支持坦達羅斯吧？

譚敏晴，一九九八年生於香港，對狗、太空、外星人和考古有興趣。現就讀香港中文大學藝術系本科，可能於二零二零年畢業。其創作以混合媒介、裝置為主，多利用日常物品嘗試檢視和探索建構與人之關係。

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More photos are available in New Asia College Library Exhibitions LibGuides.

讀者可於新亞書院圖書館展覽網頁瀏覽更多圖片。

"The Spirit of Chinese Ancient - Art is Still Lingering" (Solo Display)

Artist: MAK, Kit Jing Vivian
Date: 6 – 17 January, 2020
Venue: New Asia College Ch'ien Mu Library
Statement:

My paintings: Absorbing from the essence of Chinese ancient literati painting, works are developed in both meticulous and impressionistic painting ranging from ancient natural landscapes, flowers-and-birds to figures, in the Tang, Song, Yuan, Ming and Qing Dynasties, together with paintings of Dunhuang murals from the Sixteen Kingdoms, Northern Wei, Sui and Tang, Five Dynasties, Song, Xixia and Yuan Dynasties.  My calligraphy: A creation of academic and composition. While the art of calligraphy begins with the ancient works and rubbings from calligraphers of different dynasties.  The highest art spirit of poetry, paintings and seal concludes: As the saying goes, “Good poetries deliver delicate and vivid illustrations, good paintings express poetic meaning to readers.” A seal contains the cultural legacy of thousands of years, so whenever a masterpiece is created, artists pay attention to the position of the seal, which could bring a crucial touch of enrichment to the work.

Ms. Vivian Mak has devoted herself to education for nearly 30 years. She graduated from the Department of Chinese Language and Literature of the Hong Kong Baptist University and starts her teaching of Chinese language in high schools. Witnessing that most of the students’ problems were caused by broken family relationships and the lack of parent education, she completed her study in the Master of Arts in Parental Education at the Chinese University of Hong Kong in 2009, to further facilitate her teaching. Ms. Mak’s on-going interest in the art of Chinese calligraphy and painting has nurtured since she was young. During her college years, excellent results were achieved in the courses of Chinese paintings. After resigning from her full-time teaching recently, she is now focusing on the study of Chinese calligraphy and painting art and being grateful for the guidance of different professors from the Department of Art of the Chinese University of Hong Kong, which helps in her pursuit of the ancient Chinese art. In the journey of academic researching and calligraphy and painting creation, she aims to master the ancient style so as to accomplish a higher level of knowledge, moral and arts.

《千年凝錦  餘彩徘徊》 (個展)

作者：麥潔貞
日期：2020年1月6日至17日
地點：新亞書院錢穆圖書館
簡介：

我的畫作： 從中國傳統文人畫入手，廣泛研習唐宋元明清傳統山水、花鳥、人物繪畫風格，兼工工筆、寫意。遍研由十六國、北魏、隋唐、五代、宋、西夏、元各朝敦煌壁畫。千餘年以來，名迹數萬種，然後知畫理精微，畫學之博大如此，而非一家一派之能盡也，尤須師古自學，各習所長，以致學有所養，德有所進，藝有所成。陳師曾總結文人畫要素：「蓋藝術之為物，以人感人，以精神相應者也。有此感想，有此精神，然後能感人而能自感也」。我的書法： 作品是與學術研究和文字創作相結合。書法藝術必先多看歷代各書家筆迹、拓本，廣見鐘鼎、碑帖。上自鍾王，中至隋唐名家書法作品，下至明清近代。因眼中有上乘書法基礎，以後的篆隸行草才可以隨學習前進。汲取前人菁華，成為自己的韻貌。這樣才可以深厚的學術與文字底蘊，滋養出書法藝術。莫家良教授認為「風格的形成還須以尊重歷史、延續傳統為前提。前人學書，皆以臨摹古帖為不二法門，因臨帖可得古人筆法，更可「通古今之變」，進而「成一家之言」。詩書畫印完美融合的藝術精神：「詩中有畫，畫中有詩。」好的詩給人以美的、如畫的想像，而一幅好畫又能讓觀者欣賞到詩樣的意境。詩情畫意是藝術的最高境界。 一枚小小的印章，包含了千百年來的文化沉澱。文人每當作品完成後，對於落款和蓋章的位置都是非常講究的，作品最後鈐章往往能有增潤畫面的作用。喜歡寫書作畫的文人，在關鍵的位置打上印章，而印文的風格又和書畫的風格相和，令觀者賞心悅目，達致詩書畫印的完美藝術意境。

麥潔貞老師從事教育工作近三十年，早年畢業於香港浸會大學中國語言文學系，於任職中學教授中國語文科。有感學生問題多源自家庭關係之疏離及家長教育子女或過尤不及，故於2009 年在香港中文大學修畢家長教育文學碩士，以滋教學。麥老師對於中國書畫藝術之興趣及追求，未嘗間斷。中小學時期，已經常練習書法，於大學期間亦修讀國畫及工筆畫課程，成績優異。近年離開正職教學工作，專注於研究中國書畫藝術，師古自學，各習所長，更感激中文大學藝術系幾位教授不吝指導，加上源自中國文學及文化之學養，自能體悟詩、書、畫、印四者既能相輔相成，又能相互輝映，進入中國藝術的完美境界。在學術研究與書畫創作的過程中，冀能師古法道，為學不已，以致學有所養，德有所進，藝有所成。

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More photos are available in New Asia College Library Exhibitions LibGuides.

讀者可於新亞書院圖書館展覽網頁瀏覽更多圖片。

“Along the Hong Kong Harbour in the Next Decade” (Joint Display)

Artist: Chan Anpel and Fung, Yee Lick Eric
Date: 23 December, 2019 - 3 January, 2020
Venue: New Asia College Ch'ien Mu Library
Statement:

This exhibition presents the collaboration between Anpel Chan and Eric Fung which examines human relations in our contemporary world where human are connected by the most advanced technology under a globalised context.  By juxtaposing western and eastern art media, the artists question how technology, when it goes back to its origin, assists or hampers the communication between people. While we are going into another new decade, let us rethink how human beings interact and restart from where everything begins.Part of the work are also displayed in the Greater China region during the same period, echoing the detachment yet association between the people in these four places.

Anpel Chan is a Hong Kong indigenous inhabitant. She received her Bachelor of film and television in Australia and a scholarship to further her studies in Canada. She is now based in Hong Kong and pursuing a master degree of arts in fine arts at The Chinese University of Hong Kong. Her creative practice includes painting, video, installation, performance, mix-media and public art. Her works concern local culture, urban life and human relations.

Fung (b.1985) was born and lives in Hong Kong. He currently teaches Chinese calligraphy in the School of Professional and Continuing Education of the Hong Kong University (HKUSPACE). At his young age, he studied Chinese calligraphy under masters Ng Yam and Yip Man Yam. He received the Master of Museum Studies from University of Leicester and is now pursuing the Master of Arts (Fine Art) in Chinese University of Hong Kong.

《香港上岸圖跨越展》 (聯展)

作者：陳安蓓及馮以力
日期：2019年12月23日至2020年1月3日
地點：新亞書院錢穆圖書館
簡介：

本次展覽展示了陳安蓓與馮以力之間的合作，旨在探討當今世界中人類之間的關係。通過西方和東方的藝術媒體並置，他們針對科技追本溯源，回到它的起源，詰問科技究竟是幫助還是阻礙了人類之間的交流。在我們邁入新的十年時，讓我們重新思考人類是如何互動，並從一切的源頭重新開始。本作品某部分於同一時期在大中華地區也進行展出，呼應了兩岸四地人民之間若即若離的關係。

陳安蓓於澳洲修畢電視及電影系學士學位。她現於香港中文大學修讀藝術文學碩士。她的創作實踐包括繪畫、錄像、裝置、表演、混合媒體和公共藝術。她的作品關注本地文化，城市生活和人際關係。

馮以力(1985年生)出生及定居於香港，研習書法藝術近二十年，現任教於香港大學專業進修學院中國書法文憑課程及普通課程。馮氏為萊斯特大學博物館學碩士，現於香港中文大學藝術系修讀碩士。

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More photos are available in New Asia College Library Exhibitions LibGuides.

讀者可於新亞書院圖書館展覽網頁瀏覽更多圖片。

“Colon” (Solo Display)

Artist: Leung, Puiyi
Date: 9 – 20 December, 2019
Venue: New Asia College Ch'ien Mu Library
Statement:

Forget all that can be forgotten, words that have long been silenced, will eventually be understood.
Living in the most mundane age, it slowly becomes the landscape of my life. Its reflection will surely fall upon the eternal stream under the bridge one day.

Leung Puiyi (b. 1996) majors in Fine Arts in the Chinese University of Hong Kong. Specialising in Chinese Gongbi painting and oil painting, the artist seeks the possibilities within contemporary paintings by utilizing traditional skillset with contemporary expressions, thus connecting her own feelings and things observed from her daily life. The artist tries to show the natural aesthetic of things in our normal life through her works.

《都什麼時候了》 (個展)

作者：梁佩兒​
日期：2019年12月9日至20日
地點：新亞書院錢穆圖書館
簡介：

「能忘的都忘了吧，能記得都不必記得，有些話太久沒說，也就懂了，你用儀式向自己獻祭，活在最普通的歲月裡，默默成為我此生的風景，有一天，倒映在奈何橋底，孟婆湯裡。」——王家衛《花樣年華》
我需要一個展覽整頓自己的思緒；總結上文，開展下文。

梁佩兒，生於一九九六年，現就讀於香港中文大學藝術系。主要以中國工筆畫、繪畫為創作媒介，試圖透過作品表達藝術與自身之間的關係，在創作中探討當代與傳統的關係。

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More photos are available in New Asia College Library Exhibitions LibGuides.

讀者可於新亞書院圖書館展覽網頁瀏覽更多圖片。

"Step by Step, Little by Little" (Solo Display)

Artist: Li Po Man, Bobo
Date: 4 - 15 November, 2019 (Extended to 6 December 2019)
Venue: New Asia College Ch'ien Mu Library
Statement:

"漸 (zim6)" with the meaning of gradually, step by step, a little by little, such as life and artwork creation are the span of cumulative process. As Feng Zikai mentioned in his article "漸 (zim6)", the essence of gradually process is time. Time, we are not able to grasp it. We always struggle in the past, get lost in the future and tangle in the reality. Mr. Feng tried to further construe the word of “gradually” with a metaphor. When we read books in the dusk, even the environment becomes darker and darker, our eyesight will finally get used to read under this unfavourable situation and we may forget about the time in the end. In this exhibition, I will try to use my artworks to record down the marks of "漸 (zim6)" in our daily life. We never need to accustom to the darkness; our belief will drive us to go further, see in the darkness and find what we truly strive for gradually.

Born and educated in Hong Kong, Bobo is an amateur urban sketcher. She has a passion for art since learning Chinese painting in her childhood. She expresses herself in life drawing every day with different kinds of medium. Bobo believes that art shouldn’t be something difficult to reach by people and should be integrated with life. Working as a HR specialist in staff training and development over 10 years, she tries to bring elements of art to her workplace.

《漸》(個展)

作者：李寶雯
日期：2019年11月4日至15日 (展期延長至2019年12月6日)
地點：新亞書院錢穆圖書館
簡介：

「漸」有一步一步、一點一點的意義，如人生與創作皆為點滴之累積。豐子愷先生曾於《漸》一文中提及「漸」的本質是時間，時間則全然無從把握，不可挽留，只有過去與未來在渺茫之中不絕地相追逐而已。……晝夜也是如此：傍晚坐在窗下看書，書頁上「漸漸」地黑起來，倘不斷地看下去（目力能因了光的漸弱而漸漸加強），幾乎永遠可以認識書頁上的字跡，即不覺晝之已變為夜。是次展覽，就讓我用作品記下「漸」的過程、輕輕道出生活的小故事。深信只要堅守信念，總能讓我們漸漸得見，走得更遠，了解我們真正所追求的東西。

李寶雯，於香港出生及接受教育，業餘城市草繪愛好者，從事培訓工作十多年。自小熱愛藝術，曾習中國畫。她運用不同的媒介繪畫，表達心中所想，深信藝術與生活相融，嘗試將藝術元素帶到工作間。

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More photos are available in New Asia College Library Exhibitions LibGuides.

讀者可於新亞書院圖書館展覽網頁瀏覽更多圖片。

Chinese Art Classics on View: Landscape Paintings of the Yuan Dynasty

Date: 14 October – 1 November, 2019
Venue: New Asia College Ch'ien Mu Library
Statement: Over the years, the Chinese University of Hong Kong Library has acquired very finely reproduced artworks made by specialists including the Nigensha Publishing Co. Ltd. in Japan and kept in the New Asia College Ch’ien Mu Library. The Collection consists of calligraphy and paintings reproduced from the Tang to the Qing Dynasty. The originals of these artworks are housed in different museums such as National Palace Museum, Taipei, Shanghai Museum, and British Museum. The artwork reproduction requires a high standard of professional and specialized skills This art works display showcases the landscape paintings of the Yuan Dynasty. All are welcome during the Library’s opening hours.

藝術經典欣賞：元代山水畫選

日期： 2019年10月14日至11月1日
地點： 新亞書院錢穆圖書館
簡介： 歷年來，香港中文大學圖書館從日本東京株式會社二玄社訂購了一批製作水準極高的藝術複製品，並將此系列存於新亞書院錢穆圖書館。此系列包含由唐朝至清朝的書畫，原件現珍藏於台灣國立故宮博物院、上海博物館、大英博物館等，而複本則以精密的專業技術製成，仿真度高，極具觀賞及教育價值。 是次展出此系列之元代山水畫藏品，歡迎讀者於圖書館開放時間內到場參觀。

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More photos are available in New Asia College Library Exhibitions LibGuides.
讀者可於新亞書院圖書館展覽網頁瀏覽更多圖片。

Artworks Display of Chan Chun Hin: Night, night

Artist: Chan Chun Hin
Date: 30 September – 11 October, 2019
Venue: New Asia College Ch'ien Mu Library
Statement: Lotus seeds are able to alleviate tension, restore mental wellness, and tackle insomnia. Yet, I could not fall asleep even after bowls of sweet lotus seed soup. No amount of lotus seeds can cease the thoughts about tomorrow in the middle of the night.

 

陳俊軒個人作品展: 失眠蓮子

作者： 陳俊軒
日期： 2019年9月30日至10月11日
地點： 新亞書院錢穆圖書館
簡介： 蓮子有助紓解壓力、安心養神、改善失眠。可惜吃下一碗碗蓮子糖水，都未能入睡。深夜裏思考著明早的事，是再多蓮子也阻止不了。

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More photos are available in New Asia College Library Exhibitions LibGuides.
讀者可於新亞書院圖書館展覽網頁瀏覽更多圖片。

Joint Display of Sat Chi Ching and Chek Hin Man – Duet

Date: 2 - 27 September, 2019
Venue: New Asia College Ch'ien Mu Library
Statement: In search of a balance between hardness and softness, two artists come together composing a duet.

薩至晴及石衍雯雙個展：軟硬兼施

日期：2019年9月2日至27日
地點：新亞書院錢穆圖書館
簡介：軟硬兼施代表我們的處事方式：想法相近、處事方式不同。也代表我們的取材：一個喜歡石頭和樹木；另一個喜歡毛茸茸的動物。亦是象徵著我們所用的創作媒介：一個用硬的物料移印於紙上；另一個用軟的毛筆畫畫。

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“Narrating S/he in My City: Literary Walks for Junior Secondary School Students” Display

Date: 5 - 30 August, 2019
Venue: New Asia College Ch'ien Mu Library

「筆述我城他與她 : 初中學生文學景點考察」作品展

日期：2019年8月5日至30日
地點：新亞書院錢穆圖書館

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More photos are available in New Asia College Library Exhibitions LibGuides.
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Joint Display of Fong Sui Ting and Yau Po Yi: Do you have anything to say?

Artists: Fong Sui Ting and Yau Po Yi
Date: 15 - 26 July 2019
Venue: New Asia College Ch'ien Mu Library
Statement: With the current national crises, artists’ works require self-censorship. Freedom of creation is restricted. We have nothing to say.

方瑞婷、邱寶兒聯展：你有無野講？

作者：方瑞婷及邱寶兒
日期：2019年7月15日至7月26日
地點：新亞書院錢穆圖書館
簡介：國難當前，藝術家的作品需要自我審查。創作自由被限制，我地無野講。

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More photos are available in New Asia College Library Exhibitions LibGuides.
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Panpsychism : The Physically of Ink

Artist: Hon, Ngan Ting Rebecca
Date: 2 – 12 July 2019
Venue: New Asia College Ch'ien Mu Library
Statement: 
 “Have things by their motions, while themselves destitute of enjoyment, only to minister to souls as mere stimuli to this mental life” (Hermann Lotze, 1817-1881).
Panpsychism, is the doctrine or belief that everything material, however small, has an element of individual consciousness. No matter human, animals, plants, even inanimate, also have psychological being.
The mixing effects of ink and water on Chinese rice paper always unique and unrepeatable. Does that nature movement represents all reality has some level of consciousness, even ink and water? 

Rebecca, Hon Ngan Ting is a Hong Kong artist that was born in 80s. Rebecca is specialized in using ink and mix-media as a language; to reconstruct different materials and images.
Graduated from Hong Kong Polytechnic University and University of Sunderland, UK in 2010, she obtained a BA (Hons) in Graphic Design, a professional diploma in Art Administration, Hong Kong Baptist University and a diploma in Creative Cross-Media Illustration and Digital Drawing Techniques from the Hong Kong Productivity Council. She is studying the Master of Arts in Fine Arts (M.A.) at Department of Fine Arts, The Chinese University of Hong Kong (CUHK). Her works have exhibited in various country include China, Taiwan, Singapore, UK etc. Short-Listed of Da Dun Fine Arts Exhibition, Taiwan. She is also a member of International Watercolor Society (IWS), Hong Kong and artist member of The Fringe Club Hong Kong.

墨有靈 韓雁婷水墨作品展

作者：韓雁婷
日期：2019年7月2日至7月12日
地點：新亞書院錢穆圖書館 
簡介：
美國泛心論者羅茲(Hermann Lotze, 1817-1881)：「所有在空間活動的東西，正可解釋自然狀態的內在活力。」
泛心論（Panpsychism），認為宇宙萬物皆有心靈或精神，即使是無機物也不例外。此說假設宇宙萬物，不論人類、動物、植物，甚至普遍認為無生命的(inanimate)東西，都有內在或心理的存有(psychological being)。 
水、墨與宣紙混合的每一個滲化渲染效果都是獨一無二而且不可複製的。當中的「偶然性」是否就是代表了墨也有自己的意識和它會自主選擇存在與表現方式？ 

韓雁婷，1985年出生於香港，畢業自香港理工大學及英國新特蘭大學平面設計系，2011年獲得跨媒介創意插畫及數碼繪畫技巧文憑，2017年修畢香港浸會大學藝術行政專業文憑，現正修讀香港中文大學藝術系藝術文學碩士。主要創作包括現代水墨、水彩、動態圖像和裝置藝術，作品曾於香港、台灣、中國內地、新加坡、英國及蘇格蘭展出。2018年台灣第23屆台中大墩美展數碼藝術類入選。國際水彩畫會香港分會會員，藝穗會藝術家會員。目前居住於香港。

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More photos are available in New Asia College Library Exhibitions LibGuides.
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Art of CUHK 2019

Artists: CUHK Fine Art Students
Date: 25 May - 23 June, 2019
Venue: New Asia College Ch'ien Mu Library

中大2019年藝術系展

作者： 中大藝術系同學
日期： 2019年5月25日至6月23日
地點： 新亞書院錢穆圖書館

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More photos are available in New Asia College Library Exhibitions LibGuides.
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Happy, Sour, Spicy Noodles

Artist: Wong Ting Tao
Date: 6 - 17 May, 2019
Venue: New Asia College Ch'ien Mu Library
Statement: I am making a bowl of soup. Would you come and taste a bit?
Artist Statement: WongTing-tao, born in 1997, currently majoring in Fine Arts in the Chinese University of Hong Kong. She is expected to graduate in the coming year. Her works focus on painting, drawing, and installation with concerns on relationship and distance between life and art.

開心酸辣粉

作者：黃亭陶
日期：2019年5月6日至17日
地點：新亞書院錢穆圖書館
簡介: 我在煮湯，要來嚐嚐看嗎？
作者簡介: 黃亭陶，生於一九九七年，現就讀於香港中文大學藝術系本科，將於來年畢業。其創作以繪畫、裝置為主，而藝術與生活之間的距離、關係對她來說仍是一個課題。

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More photos are available in New Asia College Library Exhibitions LibGuide.
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第七屆全球華文青年文學獎余光中教授藏品及評判書展

Date: 19 March - 31 May, 2019
日期：2019年3月19日至5月31日

Venue: New Asia College Ch'ien Mu Library
地點：新亞書院錢穆圖書館

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"God, I , and the Other"

Artists: Students of Divinity School of Chung Chi College
Date: 13 March - 30 April, 2019
Venue: New Asia College Ch'ien Mu Library

Statement:
In the academy, we assume that I as a subject is distant and excluded from the marginalized other. The social constructed other sometimes is stigmatized and labeled by religions. Locating at the centre, I still have a dynamic relationship with the other, which is marginalized at the border. Suggested by post-structural and post-modern theories, both I-subject and the Other-object are in-process and destabilizing.

This exhibition of “God, I, and the Other” display a theological reflection of a group of Divinity School of Chung Chi College students studying Theology and Feminism. Their artworks reflect their understanding of the other, and the dynamic relationship among God, I, and the other. You are welcome to visit, to participate in and to imagine with us.

上主、我與「他者」

作者： 崇基學院神學院同學
日期： 2019年3月13日至4月30日
地點： 新亞書院錢穆圖書館

簡介:
當代學術研究裡，我作為主體與其周遭被界定邊緣的「他者」似乎是不相往來，互相排斥。被社會建構出來的他者，有時也會因宗教之名再被污名化、標籤化。事實上，安置在中心的「自我」與被下放邊陲的「他者」是不可分割。經過後結構主義和後現代主義的洗禮後，無論「我」和「他者」都變得流動，和存在很多不穩定性。

〈上主、我與「他者」〉展覽，展示了一班香港中文大學崇基學院神學院修讀神學與女性主義的同學反思和構想他們眼中的他者，並反省上主、我與他者的三者關係。我們誠邀你一同來參觀、參與和想像。

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More photos are available in New Asia College Library Exhibitions LibGuide.
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Four Meals a Day

Artists: Anne Wang & Virginia Fung
Date: 11 February - 1 March, 2019
Venue: New Asia College Ch'ien Mu Library
Statement:
‘Four Meals a Day’
Breakfast. We are eager to eat but are not enjoying it.
Lunch. We are busy busying so biting clouds are good enough.
Dinner. We keep shedding tears for the super spicy hotpot but we finally finish it.
Supper. We fill our mouth with popping candies, fizzling and sizzling. What we enjoy is the pain. Thank you for the meals.
Now, we are ready to go.

名稱： 一日四餐

作者：王安妮和馮濟琳
日期：2019年2月11日至3月1日
地點：新亞書院錢穆圖書館
簡介:
《一日四餐》
早餐，我們朝氣勃勃地進餐，但吃不出滋味。
午餐，我們流連街上風景，只摘了雲朵充飢。
晚餐，我們燉了一盤暗黑火鍋，哭著也要吃完。
宵夜，我們塞了滿嘴爆炸糖，霹靂啪啦，痛並快樂著。
吃好了，謝謝款待。
最後，我們依依不捨地收拾離開。

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More photos are available in New Asia College Library Exhibitions LibGuides.
讀者可於新亞書院圖書館展覽網頁瀏覽更多圖片。